“CATCHING SNAPSHOTS”, 艺术家 Fernando Rodriguez Rojas

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GEOMETRIC INTEGRATION OF REALISTIC EXPRESSION

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MALAGUETA

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"We know that possess the instinct to be at the right time and right place to catch the climax of a scene. Set the moment, but not any instant, but the decisive moment, one that is part of a lived situation. “
Cartier-Bresson

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“CATCHING SNAPSHOTS”

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"THE ART OF TRAPPED SIMULTANEOUS INSTANT PICTORIAL”

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In each of these tables are moments in various situations that occur simultaneously within a real event or occurrence, whose images are masterfully transported to the surface of a medium through drawing and painted so confusing intertwined parts, giving a sense of "collage" to first look at the variety of images involved in it, because the prospect of the objects included is different for each of them giving visual variations by changing the color and simultaneity of these and pockets of where they originate, which are characteristic of collage.

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The play is contemporary and synchronous by itself, as it displayed these terms that go hand in hand for the way he runs the pictorial composition of its contents:

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Contemporary; because acts which are represented, and there happen at the same time when others are.
Synchronous; because the facts are developed in correspondence temporary coincidentally with the process of further action.

The "Integration or geometric syncretism" arises from the intersection of a part of the whole of an image that is reflected in another turn into a perennial and rhythmic networking between all images of the composition.

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Apparently, lacks a logical structure, but it is actually a kind of puzzles in different pockets or sensations, the theme is very diverse, an issue stems from an action generated from an event social, political, everyday life, etc. . And changes in the course of actions that operate within the same incident.

Contrary to the "happening" events where there are perceived, and which are carried out by imitations of actual real events where sometimes the audience becomes the protagonist in space and time without limit.

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Allan Kaprow happening defines as a public intervention, which warns a kind of collage of shares made or seen in several places at once and at different times but who come to the reality of everyday life because its characters and events are real.

The art is happening, but this relates to real life and is in a real-time images in real space and time undetermined.

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The "catching-snapshots," art is related to real life but does not occur with real images, is where the action is trapped at a glance at the time that happens and is reproduced on a carrier plastically cloth, wood etc. (something like a photograph or snapshot of an image taken after detailed that is added and disclosed haphazardly on a flat surface as a collage), only that prevails in this artwork pictorial representation of the artist and artisan so laborious.

The "catching-snapshots" is a variety of "photographs"'ll hand pictorially and compiled all in a small space, where were those emotions-induced actions in the reality of some special event or in different events, which we have had opportunity to see sometimes separately without achieving Captan simultaneously and without the reality is revoked at the time of plastically run.

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It is a curious exercise this kind of work in the form of concatenate things, to achieve both an imperceptible effect that can Tilden of original or archetypal.

Another feature to highlight is not identified with the subject matter at first reading, the viewer must watch the play several times since it requires more than one reading to achieve this.

"That very moment in time when things happen around our grasp and we achieved with our eyes, is the only glimmer of life that truly possess," but pictorially transferred to perpetuate the memory abstraction in a work of art is an extension of that glimmer of life.

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FERNANDO RODRIGUEZ ROJAS

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Author intellectual and material of this artistic work

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Text Critical and analytical

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By Joan Lluis Montane

INTERNATIONAL ASSOCIATION OF art critic

Fernando Rodriguez Rojas: Sincretismo geometric reality and expressive.
The creation of pictorial Fernando Rodriguez Rojas combines geometry and compositional structure, with the maze of images derived from reality itself. It establishes a suite of figures, offices, situations, musical performances, jazz musicians, clowns, pictures, faces, faces, people, musical instruments.

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It is an artist of geometric root, synthetic, with a vision for the new posts pictorial. It combines elements, objects, shapes, compositions on several levels, setting a vision to three speeds: Basically, the intermediate and the area closest to the viewer.
Sometimes the color change, allows you to display, across circles for example, the composition of specific scenes, you want to highlight. Emphasizes certain angles, in which a character appears executing an action. A character who becomes more important than the rest of the membership. But if we look at the composition as a whole, found that this is more important than the character above.
The presence of different focus in the same composition produces a dynamic effect, highlighting the geometric approach, the conjunction formal itself in an environment in which predominates figuration and allusions to specific characters, people, faces, elements , Offices and utensils.

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The reality, seen from afar, becomes abstraction, whereas if you look close, the end result is each and every one of the elements described.
The close distance, figuration and abstraction, reality and fantasy, produces an effect very obvious dichotomy within the meaning of a kinetic set of pictorial reality, which consists of ideas and developments in theory opposed, but in reality Absolutely complementary. Because the reality end of the formal elements, human faces and other icons, is its own geometric structure.
In the same way that if you look, broadly speaking, composition notes, first, geometric evidence that persists. Macro and micro universe universe. The macro is the geometry of major and micro is the same but reduced in size. The end result, obviously, is that everything that exists has structure physics, chemistry, geometry and light inside.
There is actually no fantasy, realism without abstraction, without regard spirit.

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Fernando Rodriguez Rojas combines a syncretic form of abstraction and figuration its composition, geometry and descriptive reality, which changes depending on the distance and the incidence of light. His work can include it within a contemporary syncretism, where the movement is important but also the color and light. The incidence light opens doors to other realities, in which the tridimensión is a fact, but based on specific constraints, states of mind in which the mind fluctuates from one state to another conscious and subconscious, of the significance subconciente the spirit. But to achieve this transcendence, one must first know the reality, soaked from experience, having experiences and then comes the light.

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Joan Lluis Montané
Of the international association of Art Critics
June 30, 2006 - Madrid-Spain.

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